| 
            
             
             
              
              
              
              
             Coming
              Soon
             
             
              Geographical
                Division of art Magic   | Even
          though the sculptures were made up of perishable materials, like paintings,
          some of them in terra cotta, metal and alloy castings and stone carvings
          have survived till date. Male bust carved of whitish limestone originally
          inlayed with a red paste, and a dancer girl were found in Indus valley
          civilisation. Bull with movable head could be a toy. 
          A damaged statue from Harappa carved in greyish limestone represents
          a dancing male figure perhaps originally ithyphallic, four armed and
          three headed is precursor to the later Hindu conception of the lord
          of the dance the Shiva. Terra cotta figures of the mother goddess from
          Pre Mauryan period are originated from Indus valley period and further
          developed in the Indian technique in years to come. In Mauryan period
          (322 to 185 BC) the capital state Pataliputra which is now in the state
          of ruin, is described by Fahien a Chinese pilgrim 
          as “..the wall, door ways and the sculptured designs are not
          human work..” Ruins of a Stupa at Piprawa in Nepal and Mauryan pillars
          at Lauriya Nandangarh near Nepal in 243 BC are amongst a few survivors. 
 The sculptures in the Sunga period (185 to72 BC) consist in large part
          of the decoration of the stone railings and gateways that now surround
          the Buddhist stupa or relic mound. These are discovered at Sanchi in
          Bhopal, Bharhut in Nagod and Jaggayyapeta near Amaravati. 
          In early Andhra period (72 to 25 BC) the sculptural decoration
          of the four gateways of the stupa number one at Sanchi were extended.
          Around 78 to 128 AD, under the Kushan emperors the Gandhar style was
          developed near Peshawar, at later years since 241 AD in version of Shapur
          I of Iran and White Huns came to and end but the style survived in Kashmir
          and in Afghanistan. The style had an influence of Greek-Roman people.
          Art under the Kushans further flourished near Mathura in Jain monuments.
          The sculpture of Mathura can be credited to be the earliest entirely
          Indian representation of the Buddha.One of the great masterpieces of
          Gupta sculpture is the high relief statue of Buddha preaching the first
          sermon at the ruins of Sarnath. The sculptures have some relations with
          some sculptures found in Turkestan Nepal Tibet, Burma, Sumatra and Java.
 
 
 
 ©
            2001 vandemataram.com All rights reserved
             |  |